Published 2004 by Te Pātaka Toi Adam Art Gallery at Te Herenga Waka—Victoria University of Wellington32 pages230mm x 230mm, softcover with colour illustrationsISBN 0-9751404-1-8 Authored by Sophie McIntyre and Zhang Zhao HuiDesign by Chrometoaster

Concrete Horizons: Contemporary Art from China

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Energy Work: Kathy Barry / Sarah Smuts-Kennedy

The Legacies Reader

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Bingo: Writing around the 2022 Aotearoa Art Fair

Barbara Tuck: Delirium Crossing

Chris Corson-Scott: Evanescent Monuments

Hinemihi: Te Hokinga – The Return

Kate Newby: YES TOMORROW

Kate Newby: YES TOMORROW tea towel

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Dane Mitchell, List of Lists, 2020

Billy Apple, From the Decade Series

Looking For A New Country: Christopher Perkins In New Zealand

Gordon H. Brown Lecture 17: Conal McCarthy, 'William Page Rose & Āpirana Ngata: Experiments in Māori arts and crafts 1920-40'

On the Last Afternoon: Disrupted Ecologies and the Work of Joyce Campbell

Edith Amituanai: Double Take

Gordon H. Brown Lecture 16: Christina Barton, 'Towards a History of the Contemporary'

Next Spring: Elena Parpa, Athens, June 2018

Still looking: Peter McLeavey and the last photograph

Covenant cut-out series, Shaun Waugh

Gordon H. Brown Lecture 15: Damian Skinner, 'London Calling: Artistic Decolonisation and the New Commonwealth Internationalism'

Walking the Ridge: Writings from the 2017 Adam Art Gallery Summer Intensive

Apparitions: The Photograph and its Image

BAD VISUAL SYSTEMS: Ruth Buchanan, Judith Hopf, Marianne Wex

Patrick Pound: Documentary Intersect

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Matthew Barney, Jonathan Bepler: River of Fundament

Gordon H. Brown Lecture 13: Nicholas Thomas, 'A Critique of the Natural Artifact: Anthropology, Art & Museology'

Traces of the Wake: The Etching Revival in Britain and Beyond

Drawing Is/Not Building

Gordon H. Brown Lecture 12: Deidre Brown, Ngarino Ellis and Jonathan Mane-Wheoki, 'Does Māori Art History Matter?'

Simon Denny: The Personal Effects of Kim Dotcom

Kim Pieters: what is a life?

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Gordon H. Brown Lecture 11: Ross Gibson, 'Aqueous Aesthetics: An Art History of Change'

State of the Art: Reproductive Prints from the Renaissance to Now

John Panting: Sculpture

Jacqueline Fraser: The Making of the Ciao Manhattan Tapes, 2013

Gordon H. Brown Lecture 10: Robert Leonard, 'Nostalgia for Intimacy'

We Will Work With You!

Peripheral Relations: Marcel Duchamp and New Zealand Art 1960-2011

Dark Sky

Gordon H. Brown Lecture 9: Paul Tapsell, 'The Art of Taonga'

Points of Contact: Jim Allen, Len Lye, Hélio Oiticica

Behind Closed Doors

Gordon H. Brown Lecture 8: Rex Butler 'Colin McCahon in Australia'

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GBA: Print Publishing in the Gazette des Beaux Arts

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Gordon H. Brown Lecture 6: Sarah Treadwell, 'Rangiatea Revisited'

Vivian Lynn: I, HERE, NOW

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Hydraulics of Solids: João Maria Gusmão and Pedro Paiva

Sam Morrison: Whiff Whaff

Gordon H. Brown Lecture 5: Leonard Bell, 'In Transit: Questions of Home & Belonging in New Zealand Art'

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Gordon H. Brown Lecture 2: Tony Green 'Toss Woollaston: Origins & Influence'

The Expatriates: Frances Hodgkins and Barrie Batt

Gordon Walters: Prints + Design

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Gordon H. Brown Lecture 1: Gordon H. Brown 'Elements of Modernism in Colin McCahon’s Early Work'

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Face to Face: Contemporary Art from Taiwan

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Manufacturing Meaning | Colin McCahon: Gate III

Manufacturing Meaning | Ralph Hotere: Song Cycle Series

Manufacturing Meaning | Michael Smither: Christ Driving the Money Changers From the Temple

Manufacturing Meaning | Jacqueline Fahey: The Birthday Party

Manufacturing Meaning | Richard Killeen: Welcome to the South Pacific

Manufacturing Meaning | John Pule: Mamakava

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