Group show
Breaking Ice: Re-Visioning Antarctica
curated by Sophie McIntyre
29 July – 02 October 2005
Stella Brennan, Phil Dadson, James Charlton, Fiona Davies, Stephen Estaugh, Peter Fitzpatrick, Anne Noble, Stuart Shepherd, David Stephenson
Breaking Ice: Re-Visioning Antarctica explored the ways in which Antarctica has been perceived and imagined, historically and culturally. Featuring work by eight contemporary artists from New Zealand and Australia, Breaking Ice presented visual translations of experiences, perceptions and fantasies of Antarctica in distinctive and critical ways, playfully critiquing the processes of Antarctica’s visual representation and revealing the ways that it has been mythologised.
An untamed wilderness, an untouched canvas, a blank page. Over the past century Antarctica has been a fertile source of inspiration for explorers, scientists, writers and artists who have endeavoured to define and describe this vast white continent. From the earliest seafaring narratives, to the photographic accounts of heroism and horror, to hallucinatory visions of fairy-tale castles and sci-fi worlds, Antarctica is a place where only the most courageous or foolhardy have ventured, and where the imagination is free to roam.
Breaking Ice: Re-Visioning Antarctica explores these ideas, highlighting the ways in which this southern land has been perceived and imagined, historically and culturally. The exhibition also investigates what it is that makes this frozen wilderness so alluring and explores how it has become so embedded in the popular imagination. Drawing on ideas of ‘heroism’ and nation building in Antarctica, this exhibition investigates the extent to which the media’s emphasis on ‘the story’ of Antarctica has contributed to a somewhat idealised view of the vast white terrain.
Historically, Antarctica has captivated artists who have been compelled to represent its unfamiliar vistas. Whilst half of the artists in Breaking Ice have ventured south, others were inspired by their own fanciful imaginings of Antarctica. As a result many of the works draw on archival material, popular imagery and the artists’ own perceptions of this great white continent. In Breaking Ice fact and fiction, reality and illusion collided.
Installation view, Breaking Ice: Re-Visioning Antarctica, Adam Art Gallery Te Pātaka Toi, Victoria University of Wellington, 2005
Peter Fitzpatrick, Edgar Evans, 1996-2005, pigment ink on canvas, 1250 x 1250mm. Courtesy of the artist
Installation view, Breaking Ice: Re-Visioning Antarctica, Adam Art Gallery Te Pātaka Toi, Victoria University of Wellington, 2005
Anne Noble, Wihelmina Bay Antarctica, 2004, digital inkjet print, 668 x 950mm. Courtesy of the artist
Philip Dadson and James Charlton, Terra Incognita, 2005, video and data projection. Installation view, Breaking Ice: Re-Visioning Antarctica, Adam Art Gallery Te Pātaka Toi, Victoria University of Wellington, 2005
Stuart Shepherd, Discover this, 2005, fake snow, styrofoam, aged wood, acrylic paint, cameras, digital printer, penguin suit, hoodies and mittens. Installation view, Breaking Ice: Re-Visioning Antarctica, Adam Art Gallery Te Pātaka Toi, Victoria University of Wellington, 2005
Installation view, Breaking Ice: Re-Visioning Antarctica, Adam Art Gallery Te Pātaka Toi, Victoria University of Wellington, 2005
Stephen Eastaugh, Where R U? (Jean-Baptiste Charcot), 2003, acrylic and ink on linen, cotton thread, 1500 x 1500 mm. Courtesy of the artist