Published 2016 by Te Pātaka Toi Adam Art Gallery at Te Herenga Waka—Victoria University of Wellington24 pages210mm x 136mm, softcover playbill, with colour illustrationsDesigned by Keith Riley with 2016 updates by Sonya Lacey Published with support from the 2016 New Zealand Festival and in association with the screening of River of Fundament at the Embassy Theatre Wellington, 19 March 2016.

Published 2016 by Te Pātaka Toi Adam Art Gallery at Te Herenga Waka—Victoria University of Wellington 24 pages 210mm x 136mm, softcover playbill, with colour illustrations Designed by Keith Riley with 2016 updates by Sonya Lacey
Published with support from the 2016 New Zealand Festival and in association with the screening of River of Fundament at the Embassy Theatre Wellington, 19 March 2016.

Matthew Barney, Jonathan Bepler: River of Fundament

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Gordon H. Brown Lecture 20: Lana Lopesi, 'Moana Cosmopolitan Imaginaries'

Gordon H. Brown Lecture 14: Rebecca Rice, 'Unsettling: Art and the New Zealand Wars'

Energy Work: Kathy Barry / Sarah Smuts-Kennedy

The Legacies Reader

Ana Iti postcard

Nick Austin postcards

Bingo: Writing around the 2022 Aotearoa Art Fair

Barbara Tuck: Delirium Crossing

Chris Corson-Scott: Evanescent Monuments

Hinemihi: Te Hokinga – The Return

Kate Newby: YES TOMORROW

Kate Newby: YES TOMORROW tea towel

Gordon H. Brown Lecture 18: Anthony Byrt, 'Documenting the Fall: Decadence, Descent and Monsters in the Art of Simon Denny'

Next Spring: Boaz Levin, 'On Distance', Berlin, September 2020

Dane Mitchell, List of Lists, 2020

Billy Apple, From the Decade Series

Looking For A New Country: Christopher Perkins In New Zealand

Gordon H. Brown Lecture 17: Conal McCarthy, 'William Page Rose & Āpirana Ngata: Experiments in Māori arts and crafts 1920-40'

On the Last Afternoon: Disrupted Ecologies and the Work of Joyce Campbell

Edith Amituanai: Double Take

Gordon H. Brown Lecture 16: Christina Barton, 'Towards a History of the Contemporary'

Next Spring: Elena Parpa, Athens, June 2018

Still looking: Peter McLeavey and the last photograph

Covenant cut-out series, Shaun Waugh

Gordon H. Brown Lecture 15: Damian Skinner, 'London Calling: Artistic Decolonisation and the New Commonwealth Internationalism'

Walking the Ridge: Writings from the 2017 Adam Art Gallery Summer Intensive

Apparitions: The Photograph and its Image

BAD VISUAL SYSTEMS: Ruth Buchanan, Judith Hopf, Marianne Wex

Patrick Pound: Documentary Intersect

Next Spring: Paris, May 2016

Gordon H. Brown Lecture 13: Nicholas Thomas, 'A Critique of the Natural Artifact: Anthropology, Art & Museology'

Traces of the Wake: The Etching Revival in Britain and Beyond

Drawing Is/Not Building

Gordon H. Brown Lecture 12: Deidre Brown, Ngarino Ellis and Jonathan Mane-Wheoki, 'Does Māori Art History Matter?'

Simon Denny: The Personal Effects of Kim Dotcom

Kim Pieters: what is a life?

Cinema & Painting

Gordon H. Brown Lecture 11: Ross Gibson, 'Aqueous Aesthetics: An Art History of Change'

State of the Art: Reproductive Prints from the Renaissance to Now

John Panting: Sculpture

Jacqueline Fraser: The Making of the Ciao Manhattan Tapes, 2013

Gordon H. Brown Lecture 10: Robert Leonard, 'Nostalgia for Intimacy'

We Will Work With You!

Peripheral Relations: Marcel Duchamp and New Zealand Art 1960-2011

Dark Sky

Gordon H. Brown Lecture 9: Paul Tapsell, 'The Art of Taonga'

Points of Contact: Jim Allen, Len Lye, Hélio Oiticica

Behind Closed Doors

Gordon H. Brown Lecture 8: Rex Butler 'Colin McCahon in Australia'

Object Lessons

Play On

GBA: Print Publishing in the Gazette des Beaux Arts

Gavin Hipkins: Bible Studies (New Testament)

Gordon H. Brown Lecture 6: Sarah Treadwell, 'Rangiatea Revisited'

Vivian Lynn: I, HERE, NOW

The Subject Now

Te Mata: The Ethnological Portrait

Hydraulics of Solids: João Maria Gusmão and Pedro Paiva

Sam Morrison: Whiff Whaff

Gordon H. Brown Lecture 5: Leonard Bell, 'In Transit: Questions of Home & Belonging in New Zealand Art'

Interior Life

Pulp Fictions: The Art of Giovanni Battisa Piranesi

Four Times Painting

Gordon H. Brown Lecture 4: Annie Goldson, 'Memory, Landscape, Dad & Me'

In View: Works from the V.U.W Art Collection

Archiving Fever

The Captain’s Ghost

Islanded: Contemporary Art from New Zealand, Singapore and Taiwan

Venice Document. ET AL., The Fundamental Practice

Gordon H. Brown Lecture 3: Roger Blackley 'A Nation’s Portraits'

Artiface: Artists’ Portraits in Prints

Breaking Ice: Re-Visioning Antarctica

Still Present: Exploring Psychiatric Institutions in Photography

Victoria’s Art – A University Collection

Gordon H. Brown Lecture 2: Tony Green 'Toss Woollaston: Origins & Influence'

The Expatriates: Frances Hodgkins and Barrie Batt

Gordon Walters: Prints + Design

Two Laws: One Big Spirit

Concrete Horizons: Contemporary Art from China

Gordon H. Brown Lecture 1: Gordon H. Brown 'Elements of Modernism in Colin McCahon’s Early Work'

Before Addled Art: The Graphic Art of Lionel Lindsay

Tatau – Pe’a: Photographs by Mark Adams and Measina Samoa | Stories of the Malu by Lisa Taouma

Sumwhr: K Rd to Kingdom Come

Stray Leaves: Colonial Trompe L’oeil Drawings

Face to Face: Contemporary Art from Taiwan

Gavin Hipkins: The Habitat

Joseph Kosuth: Guests and Foreigners, Rules and Meanings (Te Kore)

Language Matters

Manufacturing Meaning | Frances Hodgkins: Kimmeridge Foreshore

Manufacturing Meaning | John Weeks: Figure Composition I

Manufacturing Meaning | Gordon Walters: Kahkura

Manufacturing Meaning | Colin McCahon: Gate III

Manufacturing Meaning | Ralph Hotere: Song Cycle Series

Manufacturing Meaning | Michael Smither: Christ Driving the Money Changers From the Temple

Manufacturing Meaning | Jacqueline Fahey: The Birthday Party

Manufacturing Meaning | Richard Killeen: Welcome to the South Pacific

Manufacturing Meaning | John Pule: Mamakava

Manufacturing Meaning | Peter Peryer: After Rembrandt