Published 1999 by Te Pātaka Toi Adam Art Gallery at Te Herenga Waka—Victoria University of Wellington
16 pages
210 x 148mm, softcover, with colour illustrations
Edited by Christina Barton
Essay by Stuart McKenzie
Design by Meanest Indian in the Land
Printed by Thames Publications Ltd
ISBN 0-9582112-3-X

'This catalogue is one of ten published on the occasion of the exhibition, Manufacturing Meaning: the Victoria University of Wellington Art Collection in context. It documents and explains the contribution of guest curator, Stuart McKenzie, to the project. McKenzie examines Michael Smither's Christ driving the money changers from the temple 1972, in light of a range of recent works which also engage the nexus between art and money, the sacred and the profane; and offers insights into Christian attitudes towards economic gain.'

—  Zara Stanhope and Christina Barton, Manufacturing Meaning | Michael Smither: Christ Driving the Money Changers From the Temple