Published 1999 by Te Pātaka Toi Adam Art Gallery at Te Herenga Waka—Victoria University of Wellington
16 pages
210 x 148mm, softcover, with colour illustrations
Edited by Christina Barton
Essay by Linda Taylor
Design by Meanest Indian in the Land
Printed by Thames Publications Ltd
ISBN 0-9582112-6-4

'This catalogue is one of ten published on the occasion of the exhibition, Manufacturing Meaning: the Victoria University of Wellington Art Collection in context. It documents and explains the contribution of guest curator, Linda Tyler, to the project. Tyler examines John Weeks', Figure composition I (1950s), as an instance of the influence of French modernist painting on the development of art in New Zealand in the 1950s.'

—  Zara Stanhope and Christina Barton, Manufacturing Meaning | John Weeks: Figure Composition I