Folded Memory
Nova Paul
Yllwbro
Xin Cheng
Maria Olsen
Emerita Baik
Vivian Lynn
Flora Christeller
Mo H. Zareei
Richard Niania & Joyce Campbell
Bridget Reweti
Taarn Scott & Hana Pera Aoake
Susan Skerman
Richard Frater & Richard Francis
Curated by Susan Ballard and Sophie Thorn
17 November 2023 – 28 March 2024
Folded Memory is a second chapter in an exhibition series which opened with Listening Stones Jumping Rocks in 2021.
Listening Stones Jumping Rocks began a conversation. We spoke of a convergence of human and natural histories, and the central role of art. We thought about the fast slow scale of geological time. We imagined the gallery as strata. We considered what it might mean to think beyond human-scale; to pay attention to the planet and the deep-seeded knowledge we might find should we be listening.
Folded Memory begins with a tree. Or a part of a tree. A cross-section of a Tōtara to be precise. He Tōtara rangatira sprouted as a sapling sometime around the year 1481. What was this tree witness to? Its growth rings hold the carbon it breathed for 425 years. He Tōtara was felled in 1906 in Taihape and brought to Te Herenga Waka, where it was used to tell new stories. It had a colonial history placed along its rings tracing Columbus to Cook. Wars were mapped. Memory was stalled.
Folded Memory reimagines the narratives held deep within the rings of he Tōtara and extends these pūrākau across the uneven ecosystem of a forest. Stories spiral out of artworks. Bright colours from the leaf litter reach up through the understory, and exhale across the overstory. There are clearings where new knowledge is gleaned, meetings are held, and alliances form. A canopy holds visions, cosmic and awakening, and above it in the emergent layer, bodies are warmed by the sun.
The artworks in Folded Memory are made from many parts and carry within them a resistance to simple answers. Shifting from planet to plant, folding connections with cosmic worlds into alternative visions of living and being, Folded Memory questions the physical evidence of time held within the rings of a tree.
Drawing on Nga Puhipuhi o Te Herenga Waka—Victoria University of Wellington Art Collection alongside key loaned items to both complement and complicate the collection. Folded Memory is part of an ongoing collaboration between Susan Ballard and Sophie Thorn. It is envisioned as part of a larger series which aims to shift from listening, to remembering, to imagining and in doing so narrate a new environmental art history of Aotearoa.
Susan Ballard is an art writer and curator who teaches in art history at Te Herenga Waka—Victoria University of Wellington, Aotearoa New Zealand. Recent essays have appeared in October, Environmental Humanities, GeoHumanities, Cultural Geographies, and the Sydney Review of Books. Her books include 100 Atmospheres: Studies in Scale and Wonder (with the MECO network, Open Humanities Press 2019) and Alliances in the Anthropocene (with Christine Eriksen, Palgrave 2020). Her book Art and Nature in the Anthropocene was awarded the best book in the AAANZ Arts Writing and Publishing Awards 2022. Su curated Listening Stones Jumping Rocks for Te Pātaka Toi Adam Art Gallery, Wellington in 2021, and is currently building a collaborative environmental art history of Aotearoa housed inside an excel spreadsheet, and writing Shift Work: Art and Life in the Third Millennium with her friend Liz Linden, to be published by Punctum Press in 2024.
Sophie Thorn has been with Te Pātaka Toi Adam Art Gallery since 2014. She is currently on secondment from the position of Kaiwhakarākei Curator Collections to the role of Manutaki Director. She holds a Master of Arts in Art History and Theory from the University of Canterbury and a Diploma in Law and Collections Management through the London Institute of Art Law. She studied Heritage Materials Science through the Physical Sciences department at Te Herenga Waka—Victoria University of Wellington and at the Chemical Institute of Technology in Prague, Czech Republic. She has held positions at the Canterbury Museum, Experience Wellington, and Te Manawa Museums Trust. In 2021 she curated the exhibition Listening Stones Jumping Rocks with Su Ballard.
Nova Paul (Te Uriroroi/Te Parawhau, Ngā Puhi), Rākau, 2022, 16mm b/w hand-processed film developed in pūriri leaves, transfer to HD delivered as H.264, 5 mins, 1 sec, looped, Ngā Puhipuhi o Te Herenga Waka—Victoria University Art Collection; and Podocarpus totara, Tōtara, c.1480, felled 1906, collection of the School of Biological Sciences, Te Herenga Waka—Victoria University of Wellington. Installation view, Folded Memory, Te Pātaka Toi Adam Art Gallery, Te Herenga Waka—Victoria University of Wellington, 2023. Photo: Ted Whitaker.
Podocarpus totara, Tōtara, c.1480, felled 1906, collection of the School of Biological Sciences, Te Herenga Waka—Victoria University of Wellington. Installation view, Folded Memory, Te Pātaka Toi Adam Art Gallery, Te Herenga Waka—Victoria University of Wellington, 2023. Photo: Ted Whitaker.
Podocarpus totara (detail), Tōtara, c.1480, felled 1906, collection of the School of Biological Sciences, Te Herenga Waka—Victoria University of Wellington. Installation view, Folded Memory, Te Pātaka Toi Adam Art Gallery, Te Herenga Waka—Victoria University of Wellington, 2023. Photo: Ted Whitaker.
Nova Paul (Te Uriroroi/Te Parawhau, Ngā Puhi), Rākau, 2022, 16mm b/w hand-processed film developed in pūriri leaves, transfer to HD delivered as H.264, 5 mins, 1 sec, looped, Ngā Puhipuhi o Te Herenga Waka—Victoria University Art Collection. Installation view, Folded Memory, Te Pātaka Toi Adam Art Gallery, Te Herenga Waka—Victoria University of Wellington, 2023. Photo: Ted Whitaker.
Nova Paul (Te Uriroroi/Te Parawhau, Ngā Puhi), Rākau (still), 2022, 16mm b/w hand-processed film developed in pūriri leaves, transfer to HD delivered as H.264, 5 mins, 1 sec, looped, Ngā Puhipuhi o Te Herenga Waka—Victoria University of Wellington Art Collection, purchased 2023.
Yllwbro, Te Tohu o Kōanga, 2017, plywood, baby zincalume, steel screws, panel pin nails, pine dowel, braided wire, Le Corbusier Polychromie acrylic, pāua shell laminate, pīpīwharauroa sound recording on sensor; and Yllwbro, Tipi Haere: Miss Wētā’s All-Terrain Caravan & Mobile Home, 2017, ‘MAN Road Hauler’ toy articulated truck and caravan, die cast metal, plastic, automotive spray paint, ‘Beehive’ matchbox labels, leaf litter, striker, copper wire, Ngā Puhipuhi o Te Herenga Waka—Victoria University Art Collection. Installation view, Folded Memory, Te Pātaka Toi Adam Art Gallery, Te Herenga Waka—Victoria University of Wellington, 2023. Photo: Ted Whitaker.
Yllwbro, Te Tohu o Kōanga, 2017, plywood, baby zincalume, steel screws, panel pin nails, pine dowel, braided wire, Le Corbusier Polychromie acrylic, pāua shell laminate, pīpīwharauroa sound recording on sensor, Ngā Puhipuhi o Te Herenga Waka—Victoria University Art Collection. Installation view, Folded Memory, Te Pātaka Toi Adam Art Gallery, Te Herenga Waka—Victoria University of Wellington, 2023. Photo: Ted Whitaker.
Yllwbro, Tipi Haere: Miss Wētā’s All-Terrain Caravan & Mobile Home, 2017, ‘MAN Road Hauler’ toy articulated truck and caravan, die cast metal, plastic, automotive spray paint, ‘Beehive’ matchbox labels, leaf litter, striker, copper wire, Ngā Puhipuhi o Te Herenga Waka—Victoria University Art Collection. Installation view, Folded Memory, Te Pātaka Toi Adam Art Gallery, Te Herenga Waka—Victoria University of Wellington, 2023. Photo: Ted Whitaker.
Yllwbro, Tipi Haere: Miss Wētā’s All-Terrain Caravan & Mobile Home, 2017, ‘MAN Road Hauler’ toy articulated truck and caravan, die cast metal, plastic, automotive spray paint, ‘Beehive’ matchbox labels, leaf litter, striker, copper wire, Ngā Puhipuhi o Te Herenga Waka—Victoria University Art Collection. Installation view, Folded Memory, Te Pātaka Toi Adam Art Gallery, Te Herenga Waka—Victoria University of Wellington, 2023. Photo: Ted Whitaker.
Installation view, Folded Memory, Te Pātaka Toi Adam Art Gallery, Te Herenga Waka—Victoria University of Wellington, 2023. Photo: Ted Whitaker.
Installation view, Folded Memory, Te Pātaka Toi Adam Art Gallery, Te Herenga Waka—Victoria University of Wellington, 2023. Photo: Ted Whitaker.
Xin Cheng, Transformations, 2008–2023, installation featuring woollen felt, plant fibre, wire, drawings, prints, natural dyes and stones, courtesy of the artist. Installation view, Folded Memory, Te Pātaka Toi Adam Art Gallery, Te Herenga Waka—Victoria University of Wellington, 2023. Photo: Ted Whitaker.
Xin Cheng, Transformations, 2008–2023, installation featuring woollen felt, plant fibre, wire, drawings, prints, natural dyes and stones, courtesy of the artist. Installation view, Folded Memory, Te Pātaka Toi Adam Art Gallery, Te Herenga Waka—Victoria University of Wellington, 2023. Photo: Ted Whitaker.
Xin Cheng, Transformations (detail), 2008–2023, installation featuring woollen felt, plant fibre, wire, drawings, prints, natural dyes and stones, courtesy of the artist. Installation view, Folded Memory, Te Pātaka Toi Adam Art Gallery, Te Herenga Waka—Victoria University of Wellington, 2023. Photo: Ted Whitaker.
Xin Cheng, Transformations (detail), 2008–2023, installation featuring woollen felt, plant fibre, wire, drawings, prints, natural dyes and stones, courtesy of the artist. Installation view, Folded Memory, Te Pātaka Toi Adam Art Gallery, Te Herenga Waka—Victoria University of Wellington, 2023. Photo: Ted Whitaker.
Xin Cheng, Transformations (detail), 2008–2023, installation featuring woollen felt, plant fibre, wire, drawings, prints, natural dyes and stones, courtesy of the artist. Installation view, Folded Memory, Te Pātaka Toi Adam Art Gallery, Te Herenga Waka—Victoria University of Wellington, 2023. Photo: Ted Whitaker.
Xin Cheng, Transformations (detail), 2008–2023, installation featuring woollen felt, plant fibre, wire, drawings, prints, natural dyes and stones, courtesy of the artist. Installation view, Folded Memory, Te Pātaka Toi Adam Art Gallery, Te Herenga Waka—Victoria University of Wellington, 2023. Photo: Ted Whitaker.
Maria Olsen, Bonestack, 1988, muslin dipped in true gesso over shaped foam painted in raw pigment mixed with Rhoplex medium, fibreglass reinforcement, Ngā Puhipuhi o Te Herenga Waka—Victoria University Art Collection; and Maria Olsen, Untitled, 1987, mixed media, on loan from a private collection. Installation view, Folded Memory, Te Pātaka Toi Adam Art Gallery, Te Herenga Waka—Victoria University of Wellington, 2023. Photo: Ted Whitaker.
Maria Olsen, Bonestack, 1988, muslin dipped in true gesso over shaped foam painted in raw pigment mixed with Rhoplex medium, fibreglass reinforcement, Ngā Puhipuhi o Te Herenga Waka—Victoria University Art Collection. Installation view, Folded Memory, Te Pātaka Toi Adam Art Gallery, Te Herenga Waka—Victoria University of Wellington, 2023. Photo: Ted Whitaker.
Maria Olsen, Untitled, 1987, mixed media, on loan from a private collection. Installation view, Folded Memory, Te Pātaka Toi Adam Art Gallery, Te Herenga Waka—Victoria University of Wellington, 2023. Photo: Ted Whitaker.
Mo H. Zareei, Material Music, 2019, kinetic sound-sculpture consisting of aluminium, brass, concrete, copper, glass, marble, steel, wood samples, 16 actuators, electronics, acrylic enclosures and fasteners, courtesy of the artist. Installation view, Folded Memory, Te Pātaka Toi Adam Art Gallery, Te Herenga Waka—Victoria University of Wellington, 2023. Photo: Ted Whitaker.
Mo H. Zareei, Material Music, 2019, kinetic sound-sculpture consisting of aluminium, brass, concrete, copper, glass, marble, steel, wood samples, 16 actuators, electronics, acrylic enclosures and fasteners, courtesy of the artist. Installation view, Folded Memory, Te Pātaka Toi Adam Art Gallery, Te Herenga Waka—Victoria University of Wellington, 2023. Photo: Ted Whitaker.
Mo H. Zareei, Material Music (detail), 2019, kinetic sound-sculpture consisting of aluminium, brass, concrete, copper, glass, marble, steel, wood samples, 16 actuators, electronics, acrylic enclosures and fasteners, courtesy of the artist. Installation view, Folded Memory, Te Pātaka Toi Adam Art Gallery, Te Herenga Waka—Victoria University of Wellington, 2023. Photo: Ted Whitaker.
Flora Christeller, Mobile, 1986, 13 pit fired clay pots suspended from a wooden ring, Ngā Puhipuhi o Te Herenga Waka—Victoria University Art Collection. Installation view, Folded Memory, Te Pātaka Toi Adam Art Gallery, Te Herenga Waka—Victoria University of Wellington, 2023. Photo: Ted Whitaker.
Flora Christeller, Mobile, 1986, 13 pit fired clay pots suspended from a wooden ring, Ngā Puhipuhi o Te Herenga Waka—Victoria University Art Collection. Installation view, Folded Memory, Te Pātaka Toi Adam Art Gallery, Te Herenga Waka—Victoria University of Wellington, 2023. Photo: Ted Whitaker.
Flora Christeller, Mobile (detail), 1986, 13 pit fired clay pots suspended from a wooden ring, Ngā Puhipuhi o Te Herenga Waka—Victoria University Art Collection. Installation view, Folded Memory, Te Pātaka Toi Adam Art Gallery, Te Herenga Waka—Victoria University of Wellington, 2023. Photo: Ted Whitaker.
Vivian Lynn, Asherim Drawings, c.1985, pastel and gouache on paper, courtesy of the Estate of Vivian Lynn. Installation view, Folded Memory, Te Pātaka Toi Adam Art Gallery, Te Herenga Waka—Victoria University of Wellington, 2023. Photo: Ted Whitaker.
Vivian Lynn, Asherim Drawings, c.1985, pastel and gouache on paper, courtesy of the Estate of Vivian Lynn. Installation view, Folded Memory, Te Pātaka Toi Adam Art Gallery, Te Herenga Waka—Victoria University of Wellington, 2023. Photo: Ted Whitaker.
Vivian Lynn, Asherim Drawings, c.1985, pastel and gouache on paper, courtesy of the Estate of Vivian Lynn. Installation view, Folded Memory, Te Pātaka Toi Adam Art Gallery, Te Herenga Waka—Victoria University of Wellington, 2023. Photo: Ted Whitaker.
Vivian Lynn, Asherim Drawings, c.1985, pastel and gouache on paper, courtesy of the Estate of Vivian Lynn. Installation view, Folded Memory, Te Pātaka Toi Adam Art Gallery, Te Herenga Waka—Victoria University of Wellington, 2023. Photo: Ted Whitaker.
Vivian Lynn, Asherim Drawings (detail) c.1985, set of nineteen, pastel and gouache on Fabriano paper, courtesy of the Estate of Vivian Lynn.
Emerita Baik, Ride on these midnight skies, 2021, silk, sateen wool, cotton, denim and recycled polyester filling, courtesy of the artist and Robert Heald Gallery; and Emerita Baik, Journey through my universe, 2021, silk, sateen wool, cotton, denim and recycled polyester filling, on loan from the Collection of Massey University Te Kunenga Ki Pūrehuroa. Installation view, Folded Memory, Te Pātaka Toi Adam Art Gallery, Te Herenga Waka—Victoria University of Wellington, 2023. Photo: Ted Whitaker.
Emerita Baik, Journey through my universe, 2021, silk, sateen wool, cotton, denim and recycled polyester filling, on loan from the Collection of Massey University Te Kunenga Ki Pūrehuroa. Installation view, Folded Memory, Te Pātaka Toi Adam Art Gallery, Te Herenga Waka—Victoria University of Wellington, 2023. Photo: Ted Whitaker.
Emerita Baik, Journey through my universe (detail), 2021, silk, sateen wool, cotton, denim and recycled polyester filling, on loan from the Collection of Massey University Te Kunenga Ki Pūrehuroa. Installation view, Folded Memory, Te Pātaka Toi Adam Art Gallery, Te Herenga Waka—Victoria University of Wellington, 2023. Photo: Ted Whitaker.
Emerita Baik, Ride on these midnight skies, 2021, silk, sateen wool, cotton, denim and recycled polyester filling, courtesy of the artist and Robert Heald Gallery. Installation view, Folded Memory, Te Pātaka Toi Adam Art Gallery, Te Herenga Waka—Victoria University of Wellington, 2023. Photo: Ted Whitaker.
Emerita Baik, Ride on these midnight skies (detail), 2021, silk, sateen wool, cotton, denim and recycled polyester filling, courtesy of the artist and Robert Heald Gallery. Installation view, Folded Memory, Te Pātaka Toi Adam Art Gallery, Te Herenga Waka—Victoria University of Wellington, 2023. Photo: Ted Whitaker.
Emerita Baik, Ride on these midnight skies, 2021, silk, sateen wool, cotton, denim and recycled polyester filling, courtesy of the artist and Robert Heald Gallery. Installation view, Folded Memory, Te Pātaka Toi Adam Art Gallery, Te Herenga Waka—Victoria University of Wellington, 2023. Photo: Ted Whitaker.
Installation view, Folded Memory, Te Pātaka Toi Adam Art Gallery, Te Herenga Waka—Victoria University of Wellington, 2023. Photo: Ted Whitaker.
Installation view, Folded Memory, Te Pātaka Toi Adam Art Gallery, Te Herenga Waka—Victoria University of Wellington, 2023. Photo: Ted Whitaker.
Richard Niania (ngā kupu whakamahuki) & Joyce Campbell (photograph), The Roto, 2010, gelatin silver photograph from ‘Te Taniwha’ series, edition of 3, Ngā Puhipuhi o Te Herenga Waka—Victoria University of Wellington Art Collection, purchased 2023.
Bridget Reweti (Ngāti Ranginui, Ngāi Te Rangi), Mānuka; Kōwhai; Kōwhai 2; Toetoe; Toetoe 2 & Kawaka, 2023, six photograms on sea wall stone, varying dimensions, courtesy of the artist; and Susan Skerman, Bush Panels, 1981, 16 screenprinted perspex panels, Ngā Puhipuhi o Te Herenga Waka—Victoria University Art Collection, formerly the Wellington College of Education Art Collection, accessioned 2009. Installation view, Folded Memory, Te Pātaka Toi Adam Art Gallery, Te Herenga Waka—Victoria University of Wellington, 2023. Photo: Ted Whitaker.
Bridget Reweti (Ngāti Ranginui, Ngāi Te Rangi), Mānuka; Kōwhai; Kōwhai 2; Toetoe; Toetoe 2 & Kawaka, 2023, six photograms on sea wall stone, varying dimensions, courtesy of the artist. Installation view, Folded Memory, Te Pātaka Toi Adam Art Gallery, Te Herenga Waka—Victoria University of Wellington, 2023. Photo: Ted Whitaker.
Bridget Reweti (Ngāti Ranginui, Ngāi Te Rangi), Mānuka; Kōwhai; Kōwhai 2; Toetoe; Toetoe 2 & Kawaka (detail), 2023, six photograms on sea wall stone, varying dimensions, courtesy of the artist. Installation view, Folded Memory, Te Pātaka Toi Adam Art Gallery, Te Herenga Waka—Victoria University of Wellington, 2023. Photo: Ted Whitaker.
Bridget Reweti (Ngāti Ranginui, Ngāi Te Rangi), Mānuka, 2023, photogram on sea wall stone, courtesy of the artist. Installation view, Folded Memory, Te Pātaka Toi Adam Art Gallery, Te Herenga Waka—Victoria University of Wellington, 2023. Photo: Ted Whitaker.
Bridget Reweti (Ngāti Ranginui, Ngāi Te Rangi), Toetoe 2, 2023, photogram on sea wall stone, courtesy of the artist. Installation view, Folded Memory, Te Pātaka Toi Adam Art Gallery, Te Herenga Waka—Victoria University of Wellington, 2023. Photo: Ted Whitaker.
Susan Skerman, Bush Panels, 1981, 16 screenprinted perspex panels, Ngā Puhipuhi o Te Herenga Waka—Victoria University Art Collection, formerly the Wellington College of Education Art Collection, accessioned 2009. Installation view, Folded Memory, Te Pātaka Toi Adam Art Gallery, Te Herenga Waka—Victoria University of Wellington, 2023. Photo: Ted Whitaker.
Susan Skerman, Bush Panels, 1981, 16 screenprinted perspex panels, Ngā Puhipuhi o Te Herenga Waka—Victoria University Art Collection, formerly the Wellington College of Education Art Collection, accessioned 2009. Installation view, Folded Memory, Te Pātaka Toi Adam Art Gallery, Te Herenga Waka—Victoria University of Wellington, 2023. Photo: Ted Whitaker.
Susan Skerman, Bush Panels (detail), 1981, 16 screenprinted perspex panels, Ngā Puhipuhi o Te Herenga Waka—Victoria University Art Collection, formerly the Wellington College of Education Art Collection, accessioned 2009 Installation view, Folded Memory, Te Pātaka Toi Adam Art Gallery, Te Herenga Waka—Victoria University of Wellington, 2023. Photo: Ted Whitaker.
Susan Skerman, Bush Panels (detail), 1981, 16 screenprinted perspex panels, Ngā Puhipuhi o Te Herenga Waka—Victoria University Art Collection, formerly the Wellington College of Education Art Collection, accessioned 2009 Installation view, Folded Memory, Te Pātaka Toi Adam Art Gallery, Te Herenga Waka—Victoria University of Wellington, 2023. Photo: Ted Whitaker.
Susan Skerman, Bush Panels, 1981, 16 screenprinted perspex panels, Ngā Puhipuhi o Te Herenga Waka—Victoria University Art Collection, formerly the Wellington College of Education Art Collection, accessioned 2009; and Taarn Scott & Hana Pera Aoake (Ngāti Mahuta, Ngāti Hinerangi, Tainui/Waikato, Tauranga Moana, Ngāti Waewae), Invasive Weeds, 2022, pressed aluminium tin displayed on pins, 37 plaques of varying dimensions, courtesy of the artists. Installation view, Folded Memory, Te Pātaka Toi Adam Art Gallery, Te Herenga Waka—Victoria University of Wellington, 2023. Photo: Ted Whitaker.
Taarn Scott & Hana Pera Aoake (Ngāti Mahuta, Ngāti Hinerangi, Tainui/Waikato, Tauranga Moana, Ngāti Waewae), Invasive Weeds, 2022, pressed aluminium tin displayed on pins, 37 plaques of varying dimensions, courtesy of the artists. Installation view, Folded Memory, Te Pātaka Toi Adam Art Gallery, Te Herenga Waka—Victoria University of Wellington, 2023. Photo: Ted Whitaker.
Taarn Scott & Hana Pera Aoake (Ngāti Mahuta, Ngāti Hinerangi, Tainui/Waikato, Tauranga Moana, Ngāti Waewae), Invasive Weeds (detail), 2022, pressed aluminium tin displayed on pins, 37 plaques of varying dimensions, courtesy of the artists. Installation view, Folded Memory, Te Pātaka Toi Adam Art Gallery, Te Herenga Waka—Victoria University of Wellington, 2023. Photo: Ted Whitaker.
Taarn Scott & Hana Pera Aoake (Ngāti Mahuta, Ngāti Hinerangi, Tainui/Waikato, Tauranga Moana, Ngāti Waewae), Invasive Weeds (detail), 2022, pressed aluminium tin displayed on pins, 37 plaques of varying dimensions, courtesy of the artists. Installation view, Folded Memory, Te Pātaka Toi Adam Art Gallery, Te Herenga Waka—Victoria University of Wellington, 2023. Photo: Ted Whitaker.
Flora Christeller, Mobile, 1986, 13 pit fired clay pots suspended from a wooden ring, Ngā Puhipuhi o Te Herenga Waka—Victoria University Art Collection; and Richard Frater & Richard Francis, Zealandia (side A) & Tamara Crescent (side B), 2015, two-channel audio, Ngā Puhipuhi o Te Herenga Waka—Victoria University Art Collection, gifted by the artists, 2017. Installation view, Folded Memory, Te Pātaka Toi Adam Art Gallery, Te Herenga Waka—Victoria University of Wellington, 2023. Photo: Ted Whitaker.
Richard Frater & Richard Francis, Zealandia (side A) & Tamara Crescent (side B), 2015, two-channel audio, Ngā Puhipuhi o Te Herenga Waka—Victoria University Art Collection, gifted by the artists, 2017. Installation view, Folded Memory, Te Pātaka Toi Adam Art Gallery, Te Herenga Waka—Victoria University of Wellington, 2023. Photo: Ted Whitaker.