Florian Hecker, Formulation Chim 111 [hcross], 2017, 24 minutes, 20 seconds. Courtesy of the artist, Sadie Coles HQ, London and Galerie Neu, Berlin. Installation view, Passages: Luke Fowler, Florian Hecker, Susan Philipsz, Adam Art Gallery Te Pātaka Toi, Victoria University of Wellington, 2019. Photo: Shaun Waugh

Florian Hecker, Formulation Chim 111 [hcross], 2017, 24 minutes, 20 seconds. Courtesy of the artist, Sadie Coles HQ, London and Galerie Neu, Berlin. Installation view, Passages: Luke Fowler, Florian Hecker, Susan Philipsz, Adam Art Gallery Te Pātaka Toi, Victoria University of Wellington, 2019. Photo: Shaun Waugh

Florian Hecker, Formulation Chim 111 [hcross], 2017, 24 minutes, 20 seconds. Courtesy of the artist, Sadie Coles HQ, London and Galerie Neu, Berlin. Installation view, Passages: Luke Fowler, Florian Hecker, Susan Philipsz, Adam Art Gallery Te Pātaka Toi, Victoria University of Wellington, 2019. Photo: Shaun Waugh

Florian Hecker, Formulation Chim 111 [hcross], 2017, 24 minutes, 20 seconds. Courtesy of the artist, Sadie Coles HQ, London and Galerie Neu, Berlin. Installation view, Passages: Luke Fowler, Florian Hecker, Susan Philipsz, Adam Art Gallery Te Pātaka Toi, Victoria University of Wellington, 2019. Photo: Shaun Waugh

Florian Hecker, Formulation DBM Self, 2015–2017, 24:07 minutes; and Formulation as Texture [hcross], 2017, 24:20 minutes, pluriphonic computer-generated sound, loudspeaker system, acoustic panel system. Courtesy of the artist, Sadie Coles HQ and Galerie Neu. Installation view, Passages: Luke Fowler, Florian Hecker, Susan Philipsz, Adam Art Gallery Te Pātaka Toi, Victoria University of Wellington, 2019. Photo: Shaun Waugh

Florian Hecker, Formulation DBM Self, 2015–2017, 24:07 minutes; and Formulation as Texture [hcross], 2017, 24:20 minutes, pluriphonic computer-generated sound, loudspeaker system, acoustic panel system. Courtesy of the artist, Sadie Coles HQ and Galerie Neu. Installation view, Passages: Luke Fowler, Florian Hecker, Susan Philipsz, Adam Art Gallery Te Pātaka Toi, Victoria University of Wellington, 2019. Photo: Shaun Waugh

Florian Hecker, Formulation DBM Self, 2015–2017, 24:07 minutes; and Formulation as Texture [hcross], 2017, 24:20 minutes, pluriphonic computer-generated sound, loudspeaker system, acoustic panel system. Courtesy of the artist, Sadie Coles HQ and Galerie Neu. Installation view, Passages: Luke Fowler, Florian Hecker, Susan Philipsz, Adam Art Gallery Te Pātaka Toi, Victoria University of Wellington, 2019. Photo: Shaun Waugh

Florian Hecker, Formulation DBM Self, 2015–2017, 24:07 minutes; and Formulation as Texture [hcross], 2017, 24:20 minutes, pluriphonic computer-generated sound, loudspeaker system, acoustic panel system. Courtesy of the artist, Sadie Coles HQ and Galerie Neu. Installation view, Passages: Luke Fowler, Florian Hecker, Susan Philipsz, Adam Art Gallery Te Pātaka Toi, Victoria University of Wellington, 2019. Photo: Shaun Waugh

Top: Florian Hecker, Formulation DBM Self, 2015–2017, 24:07 minutes; and Formulation as Texture [hcross], 2017, 24:20 minutes, pluriphonic computer-generated sound, loudspeaker system, acoustic panel system. Courtesy of the artist, Sadie Coles HQ and Galerie Neu. Bottom: Susan Philipsz, White Flood, 2019, 12-channel sound installation and HD film, 15 minutes. Courtesy of the artist, Tanya Bonakdar Gallery and Galerie Isabella Bortolozzi. Installation view, Passages: Luke Fowler, Florian Hecker, Susan Philipsz, Adam Art Gallery Te Pātaka Toi, Victoria University of Wellington, 2019. Photo: Shaun Waugh

Luke Fowler, For Christian, 2016, 16mm film transferred to HD video, 6 minutes, 45 seconds, colour, mono, 4:3. Courtesy of the artist and The Modern Institute, Glasgow and Gisela Capitain Gallery, Cologne. Installation view, Passages: Luke Fowler, Florian Hecker, Susan Philipsz, Adam Art Gallery Te Pātaka Toi, Victoria University of Wellington, 2019. Photo: Shaun Waugh

Luke Fowler, For Christian, 2016, 16mm film transferred to HD video, 6 minutes, 45 seconds, colour, mono, 4:3. Courtesy of the artist and The Modern Institute, Glasgow and Gisela Capitain Gallery, Cologne. Installation view, Passages: Luke Fowler, Florian Hecker, Susan Philipsz, Adam Art Gallery Te Pātaka Toi, Victoria University of Wellington, 2019. Photo: Shaun Waugh

Luke Fowler, For Christian (video still), 2016, 16mm film transferred to HD video, 6 minutes, 45 seconds, colour, mono, 4:3. Courtesy of the artist and The Modern Institute, Glasgow and Gisela Capitain Gallery, Cologne.

Luke Fowler, For Christian (video still), 2016, 16mm film transferred to HD video, 6 minutes, 45 seconds, colour, mono, 4:3. Courtesy of the artist and The Modern Institute, Glasgow and Gisela Capitain Gallery, Cologne.

Susan Philipsz, White Flood, 2019, 12-channel sound installation and HD film, 15 minutes. Courtesy of the artist, Tanya Bonakdar Gallery, New York and Galerie Isabella Bortolozzi, Berlin. Installation view, Passages: Luke Fowler, Florian Hecker, Susan Philipsz, Adam Art Gallery Te Pātaka Toi, Victoria University of Wellington, 2019. Photo: Shaun Waugh

Susan Philipsz, White Flood, 2019, 12-channel sound installation and HD film, 15 minutes. Courtesy of the artist, Tanya Bonakdar Gallery, New York and Galerie Isabella Bortolozzi, Berlin. Installation view, Passages: Luke Fowler, Florian Hecker, Susan Philipsz, Adam Art Gallery Te Pātaka Toi, Victoria University of Wellington, 2019. Photo: Shaun Waugh

Susan Philipsz, White Flood, 2019, 12-channel sound installation and HD film, 15 minutes. Courtesy of the artist, Tanya Bonakdar Gallery, New York and Galerie Isabella Bortolozzi, Berlin. Installation view, Passages: Luke Fowler, Florian Hecker, Susan Philipsz, Adam Art Gallery Te Pātaka Toi, Victoria University of Wellington, 2019. Photo: Shaun Waugh

Susan Philipsz, White Flood, 2019, 12-channel sound installation and HD film, 15 minutes. Courtesy of the artist, Tanya Bonakdar Gallery, New York and Galerie Isabella Bortolozzi, Berlin. Installation view, Passages: Luke Fowler, Florian Hecker, Susan Philipsz, Adam Art Gallery Te Pātaka Toi, Victoria University of Wellington, 2019. Photo: Shaun Waugh.

Susan Philipsz, White Flood, 2019, 12-channel sound installation and HD film, 15 minutes. Courtesy of the artist, Tanya Bonakdar Gallery, New York and Galerie Isabella Bortolozzi, Berlin. Installation view, Passages: Luke Fowler, Florian Hecker, Susan Philipsz, Adam Art Gallery Te Pātaka Toi, Victoria University of Wellington, 2019. Photo: Shaun Waugh

Susan Philipsz, White Flood, 2019, 12-channel sound installation and HD film, 15 minutes. Courtesy of the artist, Tanya Bonakdar Gallery, New York and Galerie Isabella Bortolozzi, Berlin. Installation view, Passages: Luke Fowler, Florian Hecker, Susan Philipsz, Adam Art Gallery Te Pātaka Toi, Victoria University of Wellington, 2019. Photo: Shaun Waugh

Luke Fowler, Electro-Pythagoras (A Portrait of Martin Bartlett), 2017, 16mm film transferred to HD video, 45 Minutes, colour, stereo, 4:3. Courtesy of the artist, The Modern Institute, Glasgow and Gisela Capitain Gallery, Cologne. Installation view, Passages: Luke Fowler, Florian Hecker, Susan Philipsz, curated by Stephen Cleland, Adam Art Gallery Te Pātaka Toi, Victoria University of Wellington, 2019. Photo: Shaun Waugh.

Luke Fowler, Electro-Pythagoras (A Portrait of Martin Bartlett), 2017, 16mm film transferred to HD video, 45 Minutes, colour, stereo, 4:3. Courtesy of the artist, The Modern Institute, Glasgow and Gisela Capitain Gallery, Cologne. Installation view, Passages: Luke Fowler, Florian Hecker, Susan Philipsz, Adam Art Gallery Te Pātaka Toi, Victoria University of Wellington, 2019. Photo: Shaun Waugh

Luke Fowler, Electro-Pythagoras (A Portrait of Martin Bartlett), 2017, 16mm film transferred to HD video, 45 Minutes, colour, stereo, 4:3. Courtesy of the artist, The Modern Institute, Glasgow and Gisela Capitain Gallery, Cologne. Installation view, Passages: Luke Fowler, Florian Hecker, Susan Philipsz, Adam Art Gallery Te Pātaka Toi, Victoria University of Wellington, 2019. Photo: Shaun Waugh

Luke Fowler, Electro-Pythagoras (A Portrait of Martin Bartlett) (video still), 2017, 16mm film transferred to HD video, 45 Minutes, colour, stereo, 4:3. Courtesy of the artist, The Modern Institute, Glasgow and Gisela Capitain Gallery, Cologne.

Luke Fowler, Electro-Pythagoras (A Portrait of Martin Bartlett) (video still), 2017, 16mm film transferred to HD video, 45 Minutes, colour, stereo, 4:3. Courtesy of the artist, The Modern Institute, Glasgow and Gisela Capitain Gallery, Cologne.

Luke Fowler, Electro-Pythagoras (A Portrait of Martin Bartlett) (video still), 2017, 16mm film transferred to HD video, 45 Minutes, colour, stereo, 4:3. Courtesy of the artist, The Modern Institute, Glasgow and Gisela Capitain Gallery, Cologne.

Luke Fowler, Electro-Pythagoras (A Portrait of Martin Bartlett) (video still), 2017, 16mm film transferred to HD video, 45 Minutes, colour, stereo, 4:3. Courtesy of the artist, The Modern Institute, Glasgow and Gisela Capitain Gallery, Cologne.