Group show

Peripheral Relations: Marcel Duchamp and New Zealand Art 1960-2011

curated by Marcus Moore

26 July – 07 October 2012

Michael Parekowhai, My Sister My Self, 2006

Michael Parekowhai, My Sister My Self, 2006. Installation view, Peripheral Relations: Marcel Duchamp and New Zealand Art 1960-2011, Adam Art Gallery Te Pātaka Toi, Victoria University of Wellington, 2012. Photo: Robert Cross

Maddie Leach_Chincoteague Skiff 2006/07

Maddie Leach, Chincoteague Skiff, 2006/7. Installation view, Peripheral Relations: Marcel Duchamp and New Zealand Art 1960-2011, Adam Art Gallery Te Pātaka Toi, Victoria University of Wellington, 2012. Photo: Robert Cross

Julia Morison_Relics 2011

Julia Morison, Relics, 2011

Installation view, Peripheral Relations: Marcel Duchamp and New Zealand Art 1960-2011, Adam Art Gallery Te Pātaka Toi, Victoria University of Wellington, 2012. Photo: Robert Cross

Installation view, Peripheral Relations: Marcel Duchamp and New Zealand Art 1960-2011, Adam Art Gallery Te Pātaka Toi, Victoria University of Wellington, 2012. Photo: Robert Cross

Installation view, Peripheral Relations: Marcel Duchamp and New Zealand Art 1960-2011, Adam Art Gallery Te Pātaka Toi, Victoria University of Wellington, 2012. Photo: Robert Cross

Installation view, Peripheral Relations: Marcel Duchamp and New Zealand Art 1960-2011, Adam Art Gallery Te Pātaka Toi, Victoria University of Wellington, 2012. Photo: Robert Cross

Bricks in Aspic 1971, Adrian Hall

Adrian Hall, Bricks in Aspic, 1971. Installation view, Peripheral Relations: Marcel Duchamp and New Zealand Art 1960-2011, Adam Art Gallery Te Pātaka Toi, Victoria University of Wellington, 2012. Photo: Robert Cross

Malcolm Ross_Untitled 1971. Giovanni Intra_Golden Evenings 1994

Giovanni Intra, Golden Evenings, 1994. Installation view, Peripheral Relations: Marcel Duchamp and New Zealand Art 1960-2011, Adam Art Gallery Te Pātaka Toi, Victoria University of Wellington, 2012. Photo: Robert Cross

Bathroom interior for Giovanni Intra, Golden Evenings 1994

Giovanni Intra, Golden Evenings, 1994. Installation view, Peripheral Relations: Marcel Duchamp and New Zealand Art 1960-2011, Adam Art Gallery Te Pātaka Toi, Victoria University of Wellington, 2012. Photo: Robert Cross

Cullen Notational Drawing

Paul Cullen, Notational Drawing

Installation view, Peripheral Relations: Marcel Duchamp and New Zealand Art 1960-2011, Adam Art Gallery Te Pātaka Toi, Victoria University of Wellington, 2012. Photo: Robert Cross

Installation view, Peripheral Relations: Marcel Duchamp and New Zealand Art 1960-2011, Adam Art Gallery Te Pātaka Toi, Victoria University of Wellington, 2012. Photo: Robert Cross

Marcel Duchamp, Boîte-en-valise Series D, Paris 1961. Collection of the Museum of New Zealand Te Papa Tongarewa, bequest of Judge Julius Isaacs, 1983-0032-250/A-Q to Q-Q. Reproduced courtesy of Viscopy

Marcel Duchamp, Boîte-en-valise Series D, Paris 1961. Collection of the Museum of New Zealand Te Papa Tongarewa, bequest of Judge Julius Isaacs, 1983-0032-250/A-Q to Q-Q. Installation view, Peripheral Relations: Marcel Duchamp and New Zealand Art 1960-2011, Adam Art Gallery Te Pātaka Toi, Victoria University of Wellington, 2012. Photo: Robert Cross

Passage to Lower Chartwell

Installation view, Peripheral Relations: Marcel Duchamp and New Zealand Art 1960-2011, Adam Art Gallery Te Pātaka Toi, Victoria University of Wellington, 2012. Photo: Robert Cross

Handgame (for Artists, Politicians, Egoists and Solipsists), Bruce Barber 1974

Bruce Barber, Handgame (for Artists, Politicians, Egoists and Solipsists), 1974. Installation view, Peripheral Relations: Marcel Duchamp and New Zealand Art 1960-2011, Adam Art Gallery Te Pātaka Toi, Victoria University of Wellington, 2012. Photo: Robert Cross

Installation view, Peripheral Relations: Marcel Duchamp and New Zealand Art 1960-2011, Adam Art Gallery Te Pātaka Toi, Victoria University of Wellington, 2012. Photo: Robert Cross

Installation view, Peripheral Relations: Marcel Duchamp and New Zealand Art 1960-2011, Adam Art Gallery Te Pātaka Toi, Victoria University of Wellington, 2012. Photo: Robert Cross

Installation view, Peripheral Relations: Marcel Duchamp and New Zealand Art 1960-2011, Adam Art Gallery Te Pātaka Toi, Victoria University of Wellington, 2012. Photo: Robert Cross

Installation view, Peripheral Relations: Marcel Duchamp and New Zealand Art 1960-2011, Adam Art Gallery Te Pātaka Toi, Victoria University of Wellington, 2012. Photo: Robert Cross

Len Lye_Roundhead 1960-61

Len Lye, Roundhead, 1960-61. Installation view, Peripheral Relations: Marcel Duchamp and New Zealand Art 1960-2011, Adam Art Gallery Te Pātaka Toi, Victoria University of Wellington, 2012. Photo: Robert Cross

Installation view, Peripheral Relations: Marcel Duchamp and New Zealand Art 1960-2011, Adam Art Gallery Te Pātaka Toi, Victoria University of Wellington, 2012. Photo: Robert Cross

Installation view, Peripheral Relations: Marcel Duchamp and New Zealand Art 1960-2011, Adam Art Gallery Te Pātaka Toi, Victoria University of Wellington, 2012. Photo: Robert Cross