Group show
Manufacturing Meaning: The University of Wellington Art Collection in Context
curated by Christina Barton
21 September 1999 – 31 January 2000
Installation view, Manufacturing Meaning: The University of Wellington Art Collection Context, Adam Art Gallery Te Pātaka Toi, Victoria University of Wellington, 2000
Installation view, Manufacturing Meaning: The University of Wellington Art Collection Context, Adam Art Gallery Te Pātaka Toi, Victoria University of Wellington, 2000
Antoine-Joseph Dézallier d’Argenville, L’histoire naturelle éclaircie dans deux de ses parties principals, la lithogie et la conchyliogie, 1742, illustrated book. Collection of the Institute of Geological Sciences Ltd, Wellington.
Installation view, Manufacturing Meaning: The University of Wellington Art Collection Context, Adam Art Gallery Te Pātaka Toi, Victoria University of Wellington, 2000
Installation view, Manufacturing Meaning: The University of Wellington Art Collection Context, Adam Art Gallery Te Pātaka Toi, Victoria University of Wellington, 2000
Installation view, Manufacturing Meaning: The University of Wellington Art Collection Context, Adam Art Gallery Te Pātaka Toi, Victoria University of Wellington, 2000
Installation view, Manufacturing Meaning: The University of Wellington Art Collection Context, Adam Art Gallery Te Pātaka Toi, Victoria University of Wellington, 2000
Installation view, Manufacturing Meaning: The University of Wellington Art Collection Context, Adam Art Gallery Te Pātaka Toi, Victoria University of Wellington, 2000
Installation view, Manufacturing Meaning: The University of Wellington Art Collection Context, Adam Art Gallery Te Pātaka Toi, Victoria University of Wellington, 2000
Installation view, Manufacturing Meaning: The University of Wellington Art Collection Context, Adam Art Gallery Te Pātaka Toi, Victoria University of Wellington, 2000